Self-Publishing:
Because there’s no need for permission,
only a printer (and not even that)
I relate self-publishing to the birthday cards I crafted as a kid, which I consider the first design projects of my life. Each year, I would spend hours coming up with new, personalized ideas for my relatives' cards, even if I was designing for the same person again. I gave as much care to the way the cover and even envelope were visually crafted as I did to the message inside, always working with paper-based materials. This early drive to create a meaningful, crafted message has stayed with me and inspired my approach to self-publishing.
What fascinates me about zines and artist books is that they allow you to create a project around anything that sparks your interest, no matter how small or niche it may seem. They also allow you to do so in any way you find suitable, with plenty of room for experimentation. There's no need for permission, practicalities, an audience, or validation—just the freedom to craft a message in a tangible way.
I’m proud to be part of Unzine with Steven Catalino and Half A Hot Dog Collective with Samantha Teles. Through art fairs and markets like The Tiny Zine Fest and Wobby Wonderland in The Netherlands and Tenderete in Valencia, I've discovered the collective charm of the self-publishing world. These experiences inspire me to create and share more, alongside like-minded, welcoming and approachable communities.